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Random Film Documents are approached like little moving collections of photos, instead of a split second, a few seconds of footage is collected.
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Random film documents : Venice Biennale 2011
How are perceptions altered with so much information?
Do we focus on one screen or jump between? Does this format give more space for personal perception than a more edited version of an event?
Stokes Croft was made in a workshop I ran for BEEF (Bristol Expanded Experimental Film). In 4 hours the concept was introduced, with reference to Vertov, Mass Observation Penny Baker and others. We then all shot it and edited it together. It was uploaded to youtube by the end of the session.
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